I Wish I Were in Love Again Lyrics Babes in Arms

1937 musical by Richard Rodgers and Lorenz Hart

Babes in Arms
Original Broadway Logo
Music	Richard Rodgers
Lyrics	Lorenz Hart
Book	Richard Rodgers and Lorenz Hart
Productions	1937 Broadway 1939 Moving picture 1976 Off-Broadway 1985 United states of america tour

Babes in Arms is a 1937 coming-of-age musical comedy with music by Richard Rodgers, lyrics past Lorenz Hart and book by Rodgers and Hart. It concerns a group of minor-town Long Isle teenagers who put on a testify to avoid being sent to a work farm by the town sheriff when their player parents go on the road for five months in an effort to earn some money by reviving vaudeville.

Several songs in Babes in Arms became popular standards, including the championship song, "Where or When", "My Funny Valentine", "The Lady Is a Tramp", "Johnny One Note" and "I Wish I Were in Beloved Over again".^[i]

The film version, released in 1939, starred Judy Garland and Mickey Rooney and was directed by Busby Berkeley. Its radically revised plot retained only ii songs from the original stage version—"Where or When" and "Babes in Arms". The picture show is credited with popularizing the "kids putting on a musical for charity" trope.

The original version had potent political overtones with discussions of Nietzsche, a Communist graphic symbol, and 2 African-American youths who are victims of racism. In 1959 George Oppenheimer created a "sanitized, de-politicized rewrite" which is now the most often performed version.^[2] In the new version, the young people are trying to salve a local summertime stock theatre from being demolished, non trying to avoid being sent to a work farm. The sequence of the songs and orchestration are inverse drastically, and the trip the light fantastic numbers eliminated.

The sanitized version was the only one available for performance until 1998 when the Cincinnati College Conservatory of Music presented the original version (with a few race references slightly re-edited).^[three]

Product history [edit]

Babes in Arms opened on Broadway at the Shubert Theatre on April 14, 1937, transferred to the Majestic Theatre on October 25, 1937, and airtight on December 18, 1937, after 289 performances. The production, under the auspices of Dwight Deere Wiman, was staged by Robert B. Sinclair with choreography by George Balanchine. Settings were by Raymond Sovey, and costumes by Helene Pons. Hans Spialek created the orchestrations and Gene Salzer led the orchestra which included pianists Edgar Fairchild and Adam Carroll. The cast featured Mitzi Green, Ray Heatherton, and Alfred Drake, equally well as the Nicholas Brothers^[four]

A studio bandage recording starring Gregg Edelman as Val, Judy Blazer as Billie, Jason Graae equally Gus, Donna Kane as Dolores, Judy Kaye every bit Baby Rose, Adam Grupper as Peter, with JQ and the Bandits equally the Quartet and featuring the New Bailiwick of jersey Symphony Orchestra was released by New World Records in 1990.

On July 20, 2016, All Star Productions^[v] revived the original version at Ye Old Rose and Crown Theatre Pub, London.^[6] It was the first staging of the musical in the Great britain in nearly 15 years. Theatre critic Darren Luke Mawdsley described the work as 'outmoded' stating that he "sympathise[s] why it has non been staged here in xv years."^[7]

Porchlight Music Theatre presented Babes in Arms every bit a part of their "Porchlight Revisits" flavour in which they stage iii forgotten musicals per twelvemonth. It was in Chicago, Illinois in October 2015. It was directed past Jess McLeod and music directed past Alex Newkirk.^[viii]

Revivals of original 1930s version [edit]

In addition to the revival of the 1930s original, a New York City Center Encores! staged concert version ran in Feb 1999. It was directed and choreographed by Kathleen Marshall and featured Erin Dilly, David Campbell, Jessica Stone and Christopher Fitzgerald.^[9]

The Cohoes Music Hall presented a reconstructed version of the 1937 production nether the supervision of Richard Rodgers in 1976. This production was choreographed by Dennis Grimaldi and directed by David Kitchen and Dennis Grimaldi.^[10]

Productions of the 1950s version [edit]

In 1985, Ginger Rogers directed a production at the Music Hall in Tarrytown, New York, that starred Randy Skinner who besides choreographed the prove and Karen Ziemba every bit Susie. The vocal "I Didn't Know What Time Information technology Was" was added to the song list.^{[11] [12] [13]}

The musical was produced at the Chichester Festival Theatre from June seven, 2007, through July seven, 2007, and cast Judy Garland's daughter Lorna Luft equally the domineering female parent of old child star Baby Rose Owens. One reviewer complained that the musical seemed to have lost its legendary political bite, obviously unaware that this was the revised 1950s de-politicized version.^[14] She was given two new songs from neither the phase version nor the film in which her mother appeared.

Goodspeed Opera House Production [edit]

In 2002, a very successful production was mounted at Goodspeed Opera using a new volume by Joe DiPietro which included plot points from the original 1937 version and also elements from the 1939 MGM flick. The original score was utilized along with several additional Rodgers and Hart songs. Randy Skinner choreographed the production.

Plot of original 1937 version [edit]

In Seaport, Rhode Island in the 1930s, Val and Marshall's vaudeville parents leave them behind to do the circuits. Val meets Billie, a girl who has driven from the coast, just to have her motorcar break down. The pair sing a love song about how they experience as though they have met earlier ("Where or When").

The Sheriff and so visits them to inform them that they have to work at the work farm because they are not all the same 21. The "kids" decide that they volition stick around instead and detect some other mode to support themselves ("Babes in Arms"), forming a group with Val as the leader. After deciding nix (except that violence is good), they disperse.

Dolores, the Sheriff's daughter, talks to Gus, her ex, who tries to woo her, failing. However, the two and then sing and flirt about how they exercise non care that their human relationship is over ("I Wish I Were in Beloved Again"). Marshall arrives, jealous of Gus still wooing Dolores. When Val enters mentioning that he has likewise kissed Dolores, a fight begins and escalates when others enter. The sheriff comes in and the kids pretend to be dancing. This causes Val to decide to put on their ain follies. The Sheriff decides to requite them two weeks to put on the evidence ("Babes in Arms Reprise").

Later, Val enters and tells Irving and Ivor to practice their number ("Lite on Our Anxiety"). Lee and then arrives and chastises his brother, Beauregard, for hanging out with "the blacks". Billie then convinces Lee to invest his money in the prove. Lee smears some of her lipstick on his cheek and convinces the boys that she kissed him.

The boys next convince "Babe Rose", a former kid star, to exist in their bear witness. Rose performs a number she learned (Way Out West).

Billie enters with a jealous Val. Later calming him, they discuss the bear witness. Lee does not desire Irving and Ivor in the show. After learning this, Val leaves in a huff. Billie reflects on her romance with Val ("My Funny Valentine"). They transition into the day of the evidence and show the final number of the follies performed past Baby Rose ("Johnny One Notation"). Backstage, Lee and Val fight over letting Irving and Ivor go on despite their race. Val punches Lee, and Irving and Ivan go and exercise the big trip the light fantastic toe finale ("Johnny One Note Ballet").

Act 2 opens on the gang sitting despondently trying to cheer each other up because they are at the work farm ("Imagine"). Val comes in and calls them away to lunch, staying behind to inform Billie that his parents will be away for iii-four more months. They talk and Val mocks Billie'south behavior on luck and her immaturity ("All at Once").

For the gang'due south offset dark off, the sheriff is throwing a party in a field on Val's property. The erstwhile communist Peter enters, having won coin in a raffle, and proclaims that he is to travel the world and not share his money to which the gang is upset ("Imagine Reprise"). A ballet dream sequence of his travels ("Peter's Ballet") follows. Later the ballet he decides to invest the money ("Imagine Reprise 2").

After at the political party, the Sheriff attempts to make good with the kids. Billie tells Val that she plans on leaving the farm for the route. Val insists on going with her before being called back to the kitchen. Billie sings about how she doesn't listen driving effectually. She also talks near how she likes living on her ain terms ("Lady is a Tramp").

Peter returns to the party informing the coiffure that he lost all the coin. The gang leaves following the news of a trans-Atlantic flight and Delores tells Gus that she will come up work on the subcontract to exist with him. He reacts by telling her how she doesn't return his affections and drags him along ("You are then Fair"). Later on pretending to not intendance about each other, they admit that they like each other.

The gang re-enters and heed to the radio. They realize the Aviator must make a forced landing, and in their field no less! After much scrambling, they call the airport to go reporters to come, and Val decides to impersonate the aviator. The reporters believe his impersonation and the city decides to throw the aviator a political party. Afterward concocting a scheme, Billie takes control of the unconscious and tied-upwardly aviator and relishes the fact that the gang treats her as an equal ("Lady is a Tramp Reprise").

At the party, the gang repeatedly interrupts the mayor's introduction of the Aviator to delay the Aviator's speech. Performing a variety of musical numbers ("Specialty: You lot are and then fair, Imagine, My Funny Valentine, Lite on Our Feet, and Lady is a Tramp"). Later The Aviator's speech the entire chorus performs a rousing closing number ("Finale Ultimo").

Original Broadway cast [edit]

• Mitzi Dark-green every bit Billie Smith
• Ray Heatherton equally Val Lamar
• Alfred Drake equally Marshall Blackstone
• Duke McHale every bit Peter Jackson
• Wynn Murray every bit Baby Rose
• Rolly Pickert equally Gus Fielding
• Grace McDonald equally Dolores Reynolds
• Harold Nicholas as Ivor DeQuincy
• Fayard Nicholas as Irving DeQuincy
• Dana Hardwick as Lee Calhoun
• George Watts as Sheriff Reynolds

Musical numbers [edit]

Overture [including the Lamars' act and the Blackstones' act]—Orchestra

Human activity I

• "Opening Act I"—Orchestra
• "Where or When"—Billie & Val
• "Babes in Artillery"—Val, Marshall, Billie & The Gang
• "I Wish I Were in Love Over again"—Gus & Dolores
• "Babes in Arms—Reprise"—Marshall, Sheriff & The Gang
• "Light On Our Feet" with dance (originally the racially insensitive "All Dark People Are Calorie-free On Their Feet")—The DeQuincy Bros.
• "Way Out Due west" with dance pause—Infant Rose & Men'south Quartet
• "My Funny Valentine"—Billie
• "Johnny One Note"—Baby Rose
• "Ballet—Johnny One Note" including (Orchestra):
  • Department 1: Tango and Jazz Ballet
  • Section two: The Scene Moves Backstage
  • Section three: Move Back to Ballet
  • Section 4: Finale—Human activity I

Entr'acte—Orchestra

ACT II

• "Imagine"—Men's Quartet, Babe Rose, Peter, & Marshall
• "All At Once"—Val & Billie
• "Imagine—Reprise #1"—Peter & The Men'south Quartet
• "Peter'southward Journey (Ballet)"—Orchestra
• "Imagine—Reprise #two"—The Men's Quartet & Peter
• "The Lady Is a Tramp" with encore—Billie
• "You Are So Fair" with two dances—Gus & Dolores with Orchestra
• "Reprise: The Lady Is a Tramp"—Billie
• "Specialty #1 (Low-cal On Our Feet) & Specialty #two (Imagine)"—Orchestra
• "Finale Ultimo"—The Gang with Val & Billie
• "Bows (Johnny One-Note)"—Orchestra
• "Exit Music (Where or When)"—Orchestra

Run into also [edit]

• Babes in Arms (film)

References [edit]

1. ^ "Many Striking Songs in Babes in Arms". The Ottawa Journal. March 11, 1961. p. xl. Retrieved September 2, 2014 – via Newspapers.com.
2. ^ "Babes in Artillery- staged concert production". 1999. Archived from the original on August 23, 2013. Retrieved August 3, 2013.
3. ^ "UCLA Music workshop presents". Archived from the original on August 14, 2007.
4. ^ "Babes in Arms". Internet Broadway Database. Retrieved December 12, 2012.
5. ^ Babes in Arms All Star Productions, accessed July 23, 2016
6. ^ "Ye Old Rose and Crown Theatre Pub" yeolderoseandcrowntheatrepub.co.uk, accessed July 23, 2016
7. ^ Mawdsley, Darren Luke. " 'Babes in Artillery', Ye Olde Rose and Crown – Review", everything-theatre.co.uk, July 2016
8. ^ "Porchlight Revisits... "Lost" Musicals Concert Series Kicks Off With Babes in Arms, October half-dozen–8". Lake View, IL Patch. September 28, 2015. Retrieved May 15, 2018.
9. ^ Brantley, Ben."THEATER REVIEW; Ageless Fun, With the Trounce And Bounce Of Springtime",The New York Times, February 13, 1999
10. ^ "The Spotlight" (PDF). Bethlehem, New Scotland. Dec 16, 1976. p. seven. Archived from the original (PDF) on January 7, 2015. Retrieved January 7, 2015.
11. ^ "Ginger Rogers is Back -- As a Manager", The New York Times, June 30, 1985.
12. ^ Klein, Alvin."Theater; An Era's Innocence in Babes in Arms", The New York Times, July 21, 1985.
13. ^ "Bandage 1985 Tarrytown", broadwayworld.com, retrieved Oct viii, 2017.
14. ^ "Chichester" Archived August 11, 2014, at the Wayback AutomobileWhat's On Stage, retrieved May 12, 2009.

External links [edit]

• Liner Notes to cast recording with detailed synopsis of original 1937 version
• Detailed synopsis of revised 1950s version
• Cyberspace Broadway Database listing
• "Babes in Arms" production information, Rodgers and Hammerstein Arrangement
• The Judy Garland Online Discography "Babes In Arms" pages.

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Source: https://en.wikipedia.org/wiki/Babes_in_Arms

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